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    • Spolia of Venice- Piazza di San Marco (bilder, quellen, notizen)

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    • from main wiki article horsies original in building old pic eighties maybe niko pic By Pozoseratus, Ludovic. - For more information and high-resolution image files, view at Newberry Digital Collections: https://collections.newberry.org/asset-management/2KXJ8ZSAPAQLK?WS=AssetManagement, Public Domain, https://commons.wikimedia.org/w/index.php?curid=149685266 sameas
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    • link to newberry online collection keyword san marco
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    • Literaturquellen

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  • Warren T. Woodfin, The Embodied Icon: Liturgical Vestements and Sacramental Power in Byzantium (Oxford 2012)
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    • Henry Francis, “Canaletto: Piazza San Marco, Venice.” The Bulletin of the Cleveland Museum of Art, vol. 49, no. 8, 1962, pp. 186–90. JSTOR, http://www.jstor.org/stable/25151910. Accessed 21 Oct. 2025.
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  • Otto Demus, The Church of San Marco in Venice - History Architecture Sculpture, (Washington, 1960)
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  • Hrsg. Wolfgang Wolters, Die Skulpturen von San Marco in Venedig: Die figürlichen Skulpturen der Außendassaden bis zum 14. Jahrhundert (Venedig, 1979)
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  • Volker Herzner, Die Baugeschichte von San Marco in Wiener Jahrbuch für Kunstgeschichte Band XXXVII (Wien 1985)
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  • Gabriella Bernardini, Bernard Berenson and Byzantine art: Correspondence, 1920-1957, (Turnhout 2022)
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    • Joan Olivia Richardson, The byzantine element in the architecture and architectural skulpture of venice, 1063-1140 (volumes I and II) (Princeton 1988)( Dissertation)
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  • Hrsg. Hansgerd Hellenkemper, Der Schatz von San Marco in Venedig (Köln 1984)
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    • Editor Jennifer Ball, Byzantine Dress: A Guide (New York 2024)
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  • Tom Rosenblatt, The Arrangement of the Tetrarchs and Quadriga. Bowdoin Journal of Art: 1–21
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  • Roger Rees, IMAGES AND IMAGE: A RE-EXAMINATION OF TETRARCHIC ICONOGRAPHY, Greece and Rome , Oct., 1993, Vol. 40, No. 2 (Oct., 1993), pp. 181-200
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  • Henry Maguire, The South Facade of the Treasury of San Marco, in La Basilica de Venezia San Marco Arte-Storia-Conservazione Band I p.123 (2019 Venezia) (three of six panels venezian ex novo??)
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  • Henry Maguire and Robert S. Nelson (Editor), San Marco, Byzantium, and the Myths of Venice in Dumbarton Oaks Byzantine Symposia and Colloquia, (Washington, 2010)
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  • R. Delbrueck, Antike Porphyrwerke. Studien zur spätantiken Kunstgeschichte, vol. 6, (Berlin 193), 84-91, pls.32,33b, and 34c-d, figs. 31-33
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  • David Buckton (Editor), The Treasury of San marco, Ausstellungskatalog (Milano 1984)
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  • Robert S. Nelson High Justice: Venice, San Marco, and the Spoils of 1204, in Panayotis L. Vocotopoulos, ed., Byzantine Art in the Aftermath of the Fourth Crusade: The Fourth Crusade and its Consequences (Athen, 2007), 143-151.
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  • Ulrich Rehm, Herkules und der Löwe des heiligen Markus der mittelalterliche transfer "paganer" Antike an der Fassade von San Marco in: Asutay-Effenberger, Neslihan ; Daim, Falko (Hrsgg.): Philopátion : Spaziergang im kaiserlichen Garten ; Beiträge zu Byzanz und seinen Nachbarn. S. 165-182 (Mainz 2012)
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  • Andrea Paribeni, La porta santa di san Clemente, in Il Giubileo nella Basilica di San Marco (Quaderni della Procuratoria di San Marco, 11, 2016-2017), (Venezia 2017), S. 44-53
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  • Marianne Mödlinger et al., Multidisciplinary analyses on the 11th-12th century bronze doors of San Marco, Venice , (2023) https://doi.org/10.1371/journal.pone.0288094
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  • bildquellen
  • https://imagesofvenice.com/four-horses-of-st-mark/ https://www.wikiwand.com/de/articles/Markusdom
  • this one is important bc its a sign of actual reception and appreciation of the column and its design i did forget which article it came from though oops, got to find it again
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  • reminder: i have to email her, to get more pics
  • wayback website from museo di san marco
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  • I diarii di Marino Sanuto: (MCCCCXCVI-MDXXXIII) dall' autografo Marciano ital. cl. VII codd. CDXIX-CDLXXVII, Volume 12
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  • link archiform for literature
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